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G. Shpet and life was theatre. Andrew White says i...

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G. Shpet and life was theatre. Andrew White says in
his book, "Never it was impossible to tell where he's joking, where -- seriously:
in front of a green table; or a bottle of wine in three hours of the night; academic
SPECT was -- one; of SPECT drinking comrade -- other; sometimes we were thinking:
the second is the sly intelligence of the first; sometimes it's back: SPECT, causing
you kick with, there is the attempt of each villaci you from meetings to
an intimate conversation. None of the philosophers were not friends with us as he; and no one
held on with such caution towards us in academic performances"
(White A. Between the two revolutions. -- M., 1990. P. 274). A. White
cites as example the following case: "again, returning with me
a cab at three in the morning on the deserted streets, he suddenly jumped out of
the cab crept like a cat, to the old horodowich, snatched from his
holster the gun (in those years the police was armed) and jokingly threatened
him, scaring the old man; then returned the revolver to the ruble; well that
he came on a harmless policeman, delighted ruble; shortly before
this kind of joke is this type of pay life" (P. 278-279).
We have not mentioned one more important direction of work of G. Shpet.
This two-volume edition of "memoirs of the Pickwick club", where the second volume
is a surprisingly interesting comment, revealing
Charles Dickens described life in the mass of details.

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