Next come the purely semiotic views, similar ideas
G. Shpet: the scene at the scene looks false, because it is taken from the point
of view of the actors, not the audience. Things of the physical world -- too
good, and disrupt the space. And only the space of painting is not connected with
the physical properties of space. Frame allows to select symbolic
space in the physical space. Things Florensky interprets as
"folds" or "wrinkles" space (p. 6). And providing operation with
space the broadest view, he actually defines the whole culture as
"the organization of space" (p.55).
Making space for its premise, Florensky can now
any concept to be interpreted on the basis of it. Thus, the gesture "forms
space, causing this tension and the bending it" (p. 56). Interesting
thus interpreted the artist's work, which the force pumps in
space content, as a result of "forcing a space to give and
to accommodate more than it usually holds without this effort" (p.59).![]()
G. Shpet: the scene at the scene looks false, because it is taken from the point
of view of the actors, not the audience. Things of the physical world -- too
good, and disrupt the space. And only the space of painting is not connected with
the physical properties of space. Frame allows to select symbolic
space in the physical space. Things Florensky interprets as
"folds" or "wrinkles" space (p. 6). And providing operation with
space the broadest view, he actually defines the whole culture as
"the organization of space" (p.55).
Making space for its premise, Florensky can now
any concept to be interpreted on the basis of it. Thus, the gesture "forms
space, causing this tension and the bending it" (p. 56). Interesting
thus interpreted the artist's work, which the force pumps in
space content, as a result of "forcing a space to give and
to accommodate more than it usually holds without this effort" (p.59).